• Alchemist of the colors, Claude Bresson opens an unbounded world, built mixtures and forms. It discovers them, dissimulates, thins out the leaves of and pushes them. With the margins of reality, its painting opens the diaphragm, alternate the light and the shade. With the search for telluric underground folds, favourable with the plays of contrasts and the dangers, its painting and its joinings gather an imaginary universe with the borders of the landscapes and constructions.
Eye is liked and is delayed there. Whether they are colors sharp or diaphanous, one feels by small keys or rapidly rolling of the brushes and the copper pipes (instruments frequently used by the artist), who a such packed organ fills up the cathedral.
*(This is an automatic translation) |
Biography Article #41761 - Artist #2780
